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Before you start hanging your frames, cut their shapes out of brown packing paper and play with their arrangement on the wall, using painter’s tape to hold the cutouts in place and spacing adjacent edges two to four inches apart.This will help you get a sense of the overall design—the big picture, so to speak—before you commit to it.The first was rendered by Englishman Mark Catesby circa 1739, the second by Scottish-American polymath Alexander Wilson and dating to 1808–12, and the last by Audubon, finished in 1826.Catesby’s and Wilson’s satisfy the minimum requirements; their images are meant to record the Carolina parrot, and they do. He portrays seven of the colorful birds on branches.The ABRC also maintains and periodically publishes the official Arkansas State Bird List.I recently went through some files that Doug James has kept on Arkansas Audubon Society, dating back to the beginning in the mid-1950s.Among many items is this report by Doug in his role as the society’s first curator: "1955-56 report of the curator of the Arkansas Audubon Society." The report noted that 60 people (named in the report) had contributed 3,600 sight records that were curated on 3 X 5 inch index cards within the last year.This file eventually grew to 40,000 records, and these formed the basis for the book Arkansas Birds (1986).

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Then follow this formula, which has always worked for me: Combine a favorite piece of wall art (anything from your kid’s first finger painting to an Audubon print), a few old photos (think vintage black-and-white family portraits or bright beach shots), and a couple of mementos with strong sentimental value (such as your tickets to the Inaugural Ball or honeymoon boarding passes).

Between 18, Audubon worked with master engraver and printer, Robert Havell to publish a series of prints to be known as “The Birds of America”. As you can see, New Orleans has been a refuge for starving artists for at least two-hundred years.

One of the objectives of the Arkansas Audubon Society has been to contribute to the knowledge of birds in Arkansas through the permanent maintenance of bird records for the state.

The Arkansas Bird Records Committee, a committee of five members chaired by the AAS Curator, is responsible for determining the validity of reports of birds in Arkansas that are rare in the state, difficult to identify, or seen out of season.

Noteworthy records that have been accepted by the ABRC appear in the Curator’s report, published each quarter in the AAS newsletter, Arkansas Birds.




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